Sigourney Weaver

Weaver, an Oscar-nominated actress, stars in the recently released Call Jane. The film is based on a true story. It's about a group of women in the late 1960s who helped pregnant women get abortions. It also questions the systemic barriers to accessing abortions, and the struggle for women to control their bodies.

The film was adapted from the screenplay written by Hayley Schore and Roshan Sethi, who previously collaborated on the medical drama The Resident. It's a powerful look back in time. The cast includes Chris Messina, Wunmi Mosaku, John Magaro, Grace Edwards, and Cor Michael Smith. The movie's release date is set for October 28.

The film's plot centers on a woman named Joy who is pregnant. She seeks help from an underground abortion service. She meets a leader in the group, named Virginia, played by Weaver. But this group of women is an organization that's shunned by the medical establishment. It offers abortions to women who have no other means of affording them.

Weaver and Banks play two sisters who join this group. Their lives are turned upside down when one of the women has a life-threatening heart condition. This leaves Joy in a desperate situation. She must find a way to save her life. But the woman she's working with is a member of the Jane Collective, an underground abortion service.

Sigourney Weaver's role in this film is particularly striking. She plays a traditional housewife who seeks an abortion before Roe v. Wade was handed down by the Supreme Court in 1973. It's a stern character, but Weaver is loving and funny, too.

"Call Jane" has a stellar festival run, including a premiere at the Sundance Film Festival earlier this year. It's set to be released through Roadside Attractions on October 28.

Elizabeth Banks

Call Jane is a movie about a woman who needs to get an abortion to save her life. It's an intriguing story about a suburban housewife who turns to an underground service for help. The movie isn't as sappy as it sounds and has a few genuinely funny moments.

The movie features a star-studded cast, including Elizabeth Banks, Kate Mara, Wunmi Mosaku, Grace Edwards, and John Magaro. The film's premise is a bit more esoteric than one might think, but it's still a riveting look at a pivotal moment in women's history.

It's no secret that abortion has been a hot-button topic over the years, with more than a dozen states eschewing the procedure altogether. In fact, many of those states actually banned the fetus from being aborted altogether. As a result, the number of abortions performed in the US has decreased from a high of 3.5 million in 1970 to a comparatively low number in 2017. The movie is a tribute to those women who sacrificed it all to make the decision easier.

The movie is the brainchild of Banks, who is also a producer. It has been released on the ol' US of A, and it's also slated for a Sundance film festival run in 2022. The film's title is a nod to one of the most influential figures in the history of the modern abortion industry. She was an actress and producer and later became a proponent of reproductive rights. She is the chair of the Center for Reproductive Rights Creative Council.

In addition to her production company's numerous TV hits, such as Pitch Perfect and Shrill, Banks has also made a name for herself in the film industry as a director and a producer.

A Clandestine Women's Organization

"Call Jane" is a movie that is set in the late 1960s, focusing on a woman named Joy. She needs an abortion. Getting an abortion was hard for women in the 1960s.

A clandestine group called Jane helped thousands of women get abortions. Their organization, Jane Collective, served nearly twelve thousand women between 1969 and 1973.

This fictional feminist organization provides health care and counseling to thousands of women in Chicago. Some members are registered nurses and midwives, while others are medical students and doctors. The Jane Collective also has a charitable foundation that helps low-income women access abortions.

This is a film that is worth watching. It has a lot of grit, and a fierce streak in the lead character. Elizabeth Banks gives it a good shot. It's a very interesting movie, and the timing is right.

The Jane Collective, though fictional, is loosely based on real-life events. It was a group of activist women in the 1960s. They provided counseling, self-examination techniques, and abortions to thousands of women.

Eventually, the police found out about the group. They arrested seven members. They were dubbed the "Jane Seven" after the name of their collective. Fortunately, the charges were dropped when the Supreme Court struck down Roe v. Wade.

One of the members of the Jane Collective was a black woman named Marie Leaner. She was raised on the South Side of Chicago and offered her apartment as the Jane Place.

Another member was a woman named Martha Scott. She was a stay-at-home mom with four children under five. She joined the Jane because she thought women who wanted an abortion should have a safe option.

Ultimately, the story of Call Jane is about a woman finding strength in herself. Her journey is a fascinating one.


"Call Jane" is a period drama set in the 1960s about a woman who discovers that she's pregnant. She seeks an abortion and finds the help of a group called the Jane Collective. However, she later realizes that her pregnancy may be life-threatening.

The film is loosely based on the true stories of the Jane Collective, which operated in Chicago during the late '60s and early '70s. This group provided safe abortions to women in the city. Ultimately, though, the group lost its relevance in the '70s.

It's an interesting story, and a positive one. But Call Jane lacks the depth and resonance of other films about reproductive rights. And the central conflict doesn't stand up to scrutiny.

It's easy to forget that Joy's journey to become a fierce activist is an unconventional one. She begins by taking advantage of the privilege of belonging to a wealthy section of society. As she gets closer to the underground Jane Collective, she becomes increasingly embedded in their operation.

At first, the plot is simple and predictable. But it grows into something more. As she works for the Jane Collective, she begins to see that there's more to her than just her desire for an abortion.

While the film's pace is uneven, it holds the attention of the audience for two hours. Its soundtrack externalizes the inner turmoil of the main character. And its performances are all quite good. It's worth watching.

Elizabeth Banks is outstanding as Joy. She plays a suburban housewife of the late 1960s who becomes involved in the Jane Collective. She also stars alongside Wunmi Mosaku and Sigourney Weaver. This combination makes Call Jane worth watching.

Character Study

A suburban housewife with a problematic pregnancy finds help from a group of women. The group calls itself the Janes. The story is based on a real-life feminist organization called the Jane Collective, which provided safe abortion services to 12,000 people in Chicago during the 1970s.

The film is a drama about a woman's awakening to her own agency. It tells the story of Joy (Elizabeth Banks) and her interactions with the Janes.

Joy begins her rise to power when she joins the Janes and forms a bond with their chosen doctor, Dean. In the process, she learns how to perform abortions herself.

However, the film's plot lacks depth. It doesn't explore the dark side of the characters' lives, and it is rushed in its ending. That's not to say the movie isn't worth watching, but its scope is limited.

In addition to Elizabeth Banks, the cast also includes Kate Mara, Chris Messina, Grace Edwards, and Wunmi Mosaku. These actors contribute valuable performances. The film is well-designed, with excellent cinematography and photography by Greta Zozula. But it also leaves out important messages about women's rights and abortion.

The best moments of the movie are those that make you cry. The first part of the film is a good example. The camera follows Joy as she walks through the building's entrance. It takes Joy to the building's ground floor and back.

The second part of the film, however, is more predictable. It also lacks a free-wheeling thrill and doesn't depict a radical transformation. Its soundtrack externalizes Joy's inner turmoil.

While Call Jane has its moments, it doesn't have the substance or nuance of a true-life story. It lacks the same kind of visual splendor as the Dallas Buyers Club, which was inspired by the real Janes.

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